Vera-Fi Audio LLC
Line Noise BlackHole
Line Noise BlackHole
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Recommended Plug Adapters
Recommended Plug Adapters
The Snub Station Zero, Infinity Fuse and Line Noise Black Hole do not support 3-Prong Schuko with grounding pins currently.
But just in case you need grounding, here are adapters we recommend for you to use:
Product Description
Product Description
The Line Noise BlackHole (LNBH) is a compact, plug-and-play EMI/RFI sink filter designed to passively clean up noisy AC lines. No current limitation, no sonic compression—just quieter backgrounds and more revealing sound.
The Power Noise Problem
Power lines today carry more than voltage—they carry noise. Routers, chargers, appliances, and dimmers inject electromagnetic interference into the AC line. This affects the transparency, dynamics, and clarity of your audio system.
How the BlackHole Works
The Line Noise BlackHole (LNBH) connects in series to your circuit and absorbs high-frequency EMI/RFI through a computer-optimized 5th order Chebyshev filter network that achieves >50dB attenuation of noise above 100kHz.
Because it is a series-filter, it is very effective at scrubbing out noise, like a black hole -- the noise goes in, but it doesn't come out. It can provide up to 10A of current for your devices and it will filter out high frequency noise from switch mode power supplies and other noise sources to make the "blacks even blacker"
No Power Restriction, All Gain
Plug the LNBH in between the wall plug and your system and it cleans the entire line downstream.
Plug the LNBH into any unused wall or power strip outlet on the same circuit as your system. It cleans the entire line—without restricting current flow to your components.
Real-World Results You Can Hear
When installed correctly, it's designed to deliver:
- Lower background noise
- Sharper imaging
- Improved microdetail and texture
- A more natural, relaxed sound
It doesn’t color the sound. It clears the path.
Technical Specs and Safety
- Voltage Range: 85–230V AC / 10A
- Certifications: CE / FCC / RoHS / REACH
- Construction: IEC inlet + fused switch + NEMA outlet
- LED Indicator: Green glow confirms power is active
Safe for most HiFi systems, not suitable for medical equipment or high-leakage circuits.
Set It and Forget It
Once plugged in, the Line Noise BlackHole works silently in the background. Add more units across your home for cumulative noise reduction. It's the easiest upgrade you'll ever hear.
The Line Noise BlackHole is designed in the USA and assembled in China using only premium-quality components.

Mark, it's been nearly a week since all three of the components I purchased (2 Line Noise Black Holes and 1 Snub Station Zero) have been in the system and I was going to hold off longer to give you a report. . . but. . . I feel they have settled in and are "being all they can be" and. . . WOW.
First off let me explain how I am using them. Previous to their arrival I had moved from using a PS Audio P15 (with a Swiss Digital Fuse Box) to a Decware Zen Line Conditioner (with no Swiss Digital Fuse Box) as the P15 failed and will soon be on the way to PS Audio for a repair. This was not as big a "step down" as I had feared and I liked the sound. I had some hum (and I attributed it to my Decware ZROCK3 and SEWE300B, both of which seemed to have an inherent hum). Great sound. . . and then the three new components came in.
I put one of the Line Noise Black Holes in between the wall and the Zen Line Conditioner. Another I put coming out of the Zen Line Conditioner and out of that my Decware ZROCK3 (there is a Swiss Digital Fuse Box between the Line Noise Black Hole and the ZROCK3). A power cable from the Zen Line Conditioner went into the Snub Station Zero and into that I connected my Decware SEWE300B amplifier into the "Soft Start" receptacle (there is a Swiss Digital Fuse Box between the Snub Station Zero and the SEWE300B), my PS Audio NuWave Phono Converter and the Neo2 power supply for my Rega RP3 turntable with all the Groovetracer mods and an Exact2 cartridge into the two other receptacles. My PS Audio DSD DAC Mk II and my PS Audio SACD Transport were connected directly into the Zen Line Conditioner (there is a Swiss Digital Fuse box between the Zen Line Conditioner and the DSD Mk II).
Immediately there was lower noise overall in the system and as a result a bit more mid-range presence, mid-bass texture, and an increase in perceived dynamic presentation. I was very happy with the sound. What I found very interesting--and pleasing--was that over the next few days the "noise" seemed to diminish even more and on the fourth morning I was truly surprised to hear almost all the "hum" I had been experiencing (not audible from the listening chair) had almost completely disappeared: I could stand right in front of the system and barely hear any, just a tiny but from one channel, probably noise from within one of the 300B tubes. And the overall sound was just so accurate and involving, with a dynamic presentation that just had me glued to my listening chair.
I'm going to pay these components one more big compliment, perhaps the biggest: when I have my PS Audio P15 repaired it is most likely going up for sale. I prefer the sound the system is dishing out NOW with these components.
No wonder these components have been such a great success. I now have just one more planned upgrade: another Swiss Digital Fuse Box or Infinity Fuse and two 6 x 30 Graphene Sluggos to use with the Zen Line Conditioner. I'm saving up!
This Vera-Fi Audio Black Hole simply worked great with my Decware Zen Mystery amp. AC induced noise was simply gone, resulting in an exceptional level of music reproduction.
I didn’t expect much with all my power conditioning but boy right out of the box these power components improved the SQ noticeably. Volume seemed to increase, dynamics improved and 3D sound stage expanded. Thanks for the great products and amazing value. Now that the LNBH and SSZ have had some nice break-in hours, moving my Mainstream and Snubway to my modem/router roon core room and upgrading the LNBH/SSZ power cords all I can say is WOW. My system has never sounded better. Separating my Power Amp, Preamp and DAC away from all my other electrical devices and having 2 power conditioning set ups has really improved things. As an added bonus with these two devices I no longer need my Stack Audio SmoothLan, EtherRegan and external clock. They just no longer add improvement. Nice to clean up the space and simplify.
Superb component at eliminating noise.
I liked it well enough to order and keep a second one.
3 New Products: My Review:
3 New Products: My Review: The NEW Ver-Fi: Products:
1. Line Noise Black Hole (LNBH),
2. Snub Station Zero (SSZ),
3. Infinity Fuse.
Mark asked me if I would like to try a few of his new products, and as a big time Audiophile tweaker (however my wife would describe me as a nut) I couldn’t resist.
In this review I will try to show that I have tried these units everyway possible within my system (see my profile) to remove any doubts as to how they performed.
First off, using the new Infinity Fuse with a Graphene slug into my Lumin X1 was instant success. This one unit contributed to a much wider soundstage and just a general upgrade in overall sound quality. So, this item will remain, no matter how the rest of the Veri-Fi equipment performs. BTW, it replaced a Synergistic Research Master Fuse.
Then I tried the LNBH and SSZ in my “computer/streaming room”. This room includes my Modem/Router, Etherregen, AfterDark clock, AfterDark linear power supply, and some other sundry items (printer etc.). I let the system stream music for a few days, and after that time, honestly, I could not hear any additional sonic improvement or change of any sort.
So, the next day I relocated the LNBH and SSZ into my audio system. I think I read that these items should be used in Tandem. I am using an AQ Dragon source power cord (from my AQ Niagara 7000 power conditioner) that was plugged directly into my Lumin X1 but now I plugged it into the LNBH and with a short DIY jumper power cord from that unit into the SSZ. And since the Infinity Fuse unit was a definite keeper, I also added an additional short jumper DIY AC cord to plug it into the Lumin X1. I should add that the AC input and outlets are on opposite ends of the devices which made daisy chaining them difficult.
When I played the system with familiar tunes it seemed that the soundstage was pushed way back, kinda sounded like into a tunnel and not as lively as I remembered the tunes before.
So, for “Shts & Giggles” I removed the Veri-Fi previous versions of the “Snubway & Mainstream” devices from the Audio system. (My thinking was perhaps there is too much filtering of the same type). And sure enough, the liveliness returned, so make note of this: the original Snubway and Mainstream do not mesh well with these new products.
Question:
Should I plug all of this directly into the AC wall outlet instead of the AQ Niagara power conditioner 7000?
To answer that question, I then went ahead and plugged the daisy chained trio directly into the dedicated wall outlet. And at first listen, I thought, hmm not bad. But after several back-and-forth trials, I decided that having these units plugged into the AQ 7000 is better. Perhaps different power conditioners may react differently. So, experiment is the word.
After a week of listening to the trio as above, the last and final test would be to return to the beginning, that is; removing the LNBH and SSZ from the system. Note: I have already determined that the Infinity/graphene fuse was a definite instant plus, so it will always remain.
Conclusion:
Well first, I can conclude that that a week of burn/breakin was helpful, as it does for most new equipment, and it may improve further with more use. Then, I have found in the past that using a new item for a period of time, that “new” sound, becomes the standard, (you get used to it) and only after removing it can it be judged on the effectiveness, (if any) good or bad. Do I miss it?
So, after a week of playing my favorite tunes with the LNBH and SSZ devices connected, I then disconnected them and went back to my original set up, (but, again with the Infinity Fuse and the Graphene slug still installed).
At first, I thought the midrange was richer but as I continued listening, I began to realize that the music had lost that “sparkle”. By that I mean, the feeling of extreme openness with images clean and deep with a liveliness that I guess I would say, it no longer sounded “live”.
I then re-connected the LNBH and SSZ devices and ahh, that very open sound returned.
The Downside?
Several short power cord jumpers are needed and as mentioned, daisy chaining them can be difficult.
Sound Quality Wise?
So, my conclusion is that, yes, these devices are a Definite Plus and with whatever is inside them, improved the sound for this old Audiophile. Your music will be released into your room and sparkle the soundstage, enjoy the new performance!
Wow! My system has never sounded better! Highly Recommended!
BTW, my wife still thinks I’m nuts…
ozzy
I replaced a more expensive piece from a well-known audio manufacturer and got a noticeable improvement. Job well done!
The Line Noise BlackHole (LNBH) sets the new industry standard for AC line noise elimination. In both my systems, the LNBH in combination with the Snub Station Zero easily bested the AudioQuest Niagara equipment that occupied both systems. If you can manage with a combined amperage total of less than 10 amps (that's much easier than most might imagine), these devices will shock you with the goodness they bring to your listening sessions. Yes, they eliminate AC-borne line noise, but the opens an entirely new listening experience, with incredible transparency and clarity, whether you listen to analog or digital sources. Very highly recommended, and maybe the most important product launch from Vera-Fi Audio yet!
For the first time, I'm hearing big band jazz and orchestral fortissimos without the congestion I thought I'd never get rid of! The LNBH works well teamed up with the SDFB on transient dynamic peaks. As the peaks strike, the SDFB lets them punch through loud and clear. As the peaks fall back down, the LNBH allows subtle, previously unheard sounds to emerge from the silence. When the music pauses abruptly, the silence that follows is more startling than before. Metallic percussion is where the improvement is most noticeable - it's smoother, with a rich resonant ring, and lighter, more delicate overtones. It's amazing how much closer you get to the music when that little bit of noise is no longer there...
Hi there, Mark.
Hope you & yours are doing well. I had told you previously that the Mainstream, simply plugged into a wall outlet on the same circuit as most of my equipment, was revelatory the moment I plugged it in. Basically everything was clearer and the soundstage opened up with a new, blacker background. I have since added a Snubway on a dual plug with the Mainstream and plugged the cord from my Nagara 1200 into the same outlet. Since I did this concomitantly with adding two LNBH’s running off the Niagara (one powering the Pass INT-60 integrated and the other leading to my CD player and DAC) it's difficult to say what is doing what, but every tme I’ve added something here the results have been almost immediately perceptible. The bottom line is that it’s like havng a new system, which is interesting because I thought things were pretty good before! The individual instruments are clearer and more pin-point located, the highs are where they weren’t before (cymbals are a good indicator) and the bass is deeper and more well-defined. The soundstage has gotten deeper and more lateral. You can hear the wood in a cello. Female vocals, especially, are shockingly present. This is almost like the first tme I can say, like other people do, that’s it is like having the players in the room with you. Of course, this is not going to happen with a full symphony orchestra, but with a small group it’s close, and it wasn’t like this before. I will say, however, that positioning the LNBH’s was complicated, both by finding space on my racks and by the fact that, as light as they are, heavy power cords tend to flip them around. It made me wish I still had those old wooden/steel blocks I used to use to minimize vibration on equipment. I left those in Tennessee when I moved to Texas last summer. Isoblocks, I think they were called back in the 80’s. I’m gonna send a couple photos of my setup where you can see one LNBH atop the Niagara on the middle stand under the amp and one on the bottom of the right rack. The Mainstream/Snubway is plugged into the wall behind the right KEF speaker.
Since all that got plugged in together, it was hard to tell what the Snubway was doing, but I got another one to use in the living room where the TV (and the wireless modem) are hooked up. I plugged it into the wall about 6-8 feet away from the outlet (on the same circuit) those other things were hooked up to. I didn’t see much difference in picture quality, but the next evenng I came back and discovered my 15 yr-old OLED TV had somehow been replaced by a new one with deeper, more vibrant colors and blacker backgrounds. I’m not a big video guy, but I’m imjpressed at that result, especially since I didn’t want to pull everything out from the wall and move all the furniture there to get to the power strip.
Thank you, Mark!! The whole shebang was about $1100. It’s amazng to find value like this, and no way am I going to describe the results as “tweaks”!
Best wishes
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When I added the LNBH and SSZ to my system, I installed them together, so it’s impossible for me to separate their individual contributions. After a long run-in period, the changes became so compelling that I found myself staying up late, revisiting every song I’ve ever loved.
One of the most striking improvements was the disappearance of noise-related limitations. With these two in place, details that were previously buried in the mix became clearly audible. I could hear the subtle sounds of a vocalist taking a breath or even swallowing, which added an incredible sense of realism to the performance.
The overall imaging feels more precise, with every element in the soundstage locked in place. Music flows effortlessly, and the presentation is so engaging that it’s hard to step away from the listening chair. This pairing improved the technical side of my system while also bringing a level of musical connection that keeps me listening for hours.

I recently replaced the stock fuses in both my SSZ and Tempus PSU with the Graphene Sluggo.
Even at the start there was a sense that something had shifted, but this is not the kind of upgrade that shows everything in the first hour. In my case it really came into its own after about 300 hours. The first 50 hours the treble had a slightly tighter character and the mid-bass felt restrained. Around 150 hours the presentation started to relax, with better flow and more natural layering. By 300 hours dynamics felt settled, micro-details became more apparent, and the whole system sounded more connected.
What stood out most to me was the neutrality and transparency. It does not push the tonal balance in any direction, it simply lets the system speak for itself. Highs extend cleanly without harshness, keeping fine texture and air. The midrange has a natural presence with good retrieval of subtle detail. Bass is well controlled, evenly weighted, and separated with clarity.
On the SSZ, highs became smoother while keeping resolution, and the soundstage felt more open in both width and depth. Vocals gained more dimensionality compared to the stock fuse. On the Tempus PSU, tonal balance stayed consistent, but resolution improved across the range, making instrument separation easier to follow.
Mark at Vera-Fi has been great to talk to. Every question I asked was answered with detail and warmth, which made the whole experience more positive.
After this I plan to gradually replace all the fuses in my system with the Graphene Sluggo. For anyone using SSZ or Tempus PSU who wants more resolution and detail without altering the system character, this could be worth considering.

Purchased a pair of Vera-Fi Audio Vanguard Scout bookshelf speakers to replace my Fluance XL8S bookshelf speakers in the living room 2.1 system and am glad I did. In Stick Season by Noah Kahan Noah's voice has a low-level echo seemingly caused by the recording space, and it was hard to resolve in my Fluance XL8S based 2.1 system. Now, with the Vanguard Scout based 2.1 system, that low-level echo is better resolved at the same, low volume level (67dB or so on average at the listening position, C-weighted). There is that and there's the fact they're gorgeous looking speakers in the room. Very happy with this purchase.

This sub is a great value. I can’t think of any other sub in its price range that can compare.

I've had experiences with three different sluggo options, the high purity copper version, high purity copper with a gold immersion, and the graphene sluggo. The graphene sluggo was far and away my no. 1 choice; graphene is the best conductor of electricity that exists, and the graphene sluggo has been vapor-deposited with a microscopic layer of the compound. Graphene is actually just a single molecule of carbon, and though the microscopic layer deposited on the sluggo is infinitely thin, it still transmits current at a 70% higher rate than either of the two other options. The sluggo uses the proven concept of "skin effect," where the lion's share of the current travels across the surface of the sluggo. The graphene sluggo was absolutely superior to anything else I had access to, you can read my original review here:
https://positive-feedback.com/reviews/hardware-reviews/vera-fi-audio-swiss-digital-fuse-box/?highlight=graphene

The Naiu Ella Stereo Amplifier is the only amp in my collection of gear that has an amperage rating higher than 10 amps -- that wouldn't allow me use the more flexible Infinity Fuse unit that's user-programmable. The Swiss Digital Fuse Box arrived in a black case as opposed to the usual silver case, which was a really good look! Hookup was easy, and I robbed the Core Power Piggy Tail from my analog system to hook the Naiu Ella to the SDFB. After it burned in for 24-or-so hours, I took an extended listen, and the SDFB in the system with the Ella amp now showed the same level of effortlessness and clarity I noted in my original experiences with it in my all-analog system. And my principal assessment of the SDFB remains consistent -- the Naiu Ella in the digital source system now plays with more control and limitless dynamics -- it's almost like a completely different, more powerful amplifier. Very highly recommended -- once you hear your system with the SDFB, there's no going back!

A more cost-effective, user-programmable alternative to the Swiss Digital Fuse Box! And the dip switches allow the user to customize it for amperage and fuse type (slo-blow or fast acting) for compatibility with a variety of devices. You're not limited to a single device (as with the SDFB, which arrives pre-programmed for a specific fuse type and amperage rating), and that frees you to experiment with other equipment, easily helping you decide if you need additional Infinity Fuse units. The only thing necessary for you to do prior to placing your order is to confirm the fuse dimensions and choose the Sluggo (that replaces the fuse) or an upgraded version. And the Infinity Fuse will work with any device with a fuse rating up to 10 amps. Highly recommended -- I've tried it with tube amplifers, DACs, and preamplifiers, and the IF really gets you closer to the music!

There are a couple of qualities of these subwoofers that I would like to comment on favorably. First, the coverage of the midbass frequencies, and in fact the musicality of the subwoofers, is remarkable for the price. In my room, the frequencies between 65 and 125 are suppressed by the room. The Caldara subwoofers compensate for this very nicely. Second, the visual appearance of the units is very nice.
Wow, I miss the ultra low frequencies that my old but no longer functional REL subwoofers provided, my music room does not really allow for reproduction of the frequencies between 20 and 40 Hz. The trade-off of musicality is therefore significant compensation.
I appreciated Mark’s generous offer to substitute the Caldera for the smaller model which was out of stock. If I can make one suggestion for future Caldera models, it would be to have speaker level inputs in addition to the RCA inputs.

Wow - I honestly wasn't sure if I was even a "bass guy" before purchasing 2x Caldera 12"s, and my Wharfedale Linton's even had already solid bass response, but in the endless quest for the "wow" factor, I was pointed towards Vera-Fi's subwoofer offerings.
Let me just say, I am absolutely blown away. I can't stop listening to my system -- it just sounds too good. I also have not experienced such remarkably good customer service from a company in quite some time. Thank you to Mark and the team for making such a reasonably priced product that punches far into much higher price points.

The Line Noise BlackHole (LNBH) sets the new industry standard for AC line noise elimination. In both my systems, the LNBH in combination with the Snub Station Zero easily bested the AudioQuest Niagara equipment that occupied both systems. If you can manage with a combined amperage total of less than 10 amps (that's much easier than most might imagine), these devices will shock you with the goodness they bring to your listening sessions. Yes, they eliminate AC-borne line noise, but the opens an entirely new listening experience, with incredible transparency and clarity, whether you listen to analog or digital sources. Very highly recommended, and maybe the most important product launch from Vera-Fi Audio yet!